{"title":"Conjuring Imposters: The Extraordinary Illusions of Mundanity","authors":"B. Rappert","doi":"10.46692/9781529213102.008","DOIUrl":null,"url":null,"abstract":"This chapter examines how entertainment magic and the notion of impostering can inform each other. It does so through considering how assessments of skill and perception are constituted in interactions between performers and audiences. A main plank of the argument derives from a self-study of the acquisition of skill.","PeriodicalId":358805,"journal":{"name":"The Imposter as Social Theory","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Imposter as Social Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46692/9781529213102.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines how entertainment magic and the notion of impostering can inform each other. It does so through considering how assessments of skill and perception are constituted in interactions between performers and audiences. A main plank of the argument derives from a self-study of the acquisition of skill.
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