Art in design. The specifics of creating a visual image of a musical and artistic event

M. Demidova
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Abstract

The object of the research of the article is an actual topic for a modern designer – the forms of representation of a sound/musical image by visual expressive means. The subject of the study are examples of information and accompanying materials developed for cultural events related to music. The projects of contemporary authors Duan Zhihua and Rocio Galarza (Rocío Galarza) are analyzed. The purpose of the work is to consider the specifics of creating a visual image of a musical/sound composition, as well as the design approach of conducting project work on creating a composition in which visual and sound contexts form a structural unity. The research method in this work consists in applying an analytical approach to the analysis of design projects dedicated to music, which is based on the synthesis of iconographic and semantic analysis of compositional solutions, and can be used in the design, research and educational activities of the designer. The scientific novelty of the research lies in the introduction of new empirical material into circulation, in which the creation of a project compositional form is considered as the creation of a communicative system based on the combination of expressive means encoding information about visual and sound content. The study showed that the musical image perceived, as a rule, through the performer, in creating its visual equivalent implies its interpretation by the designer. The analysis of the projects of modern designers posted on the web confirmed that in a visual image that carries information about a musical and artistic event, visual and sound contexts form a structural unity, becoming a unique subject for study, contributing to the development and improvement of design methods. In the works of modern designers Duan Zhihua and Rocio Galarza, there is a desire to develop compositions that differ in an easily readable semantic connection of artistic and expressive elements with a broad socio-cultural context.
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设计中的艺术。创造音乐和艺术活动的视觉形象的细节
本文的研究对象是一个现代设计师的实际课题——声音/音乐形象在视觉表现手段中的表现形式。本研究的主题是为与音乐有关的文化活动开发的信息和附带材料的例子。对当代作家段志华和罗西奥·加拉扎(Rocío Galarza)的作品进行分析。这项工作的目的是考虑创建音乐/声音作品的视觉图像的细节,以及在创建视觉和声音环境形成结构统一的作品时进行项目工作的设计方法。这项工作的研究方法包括将分析方法应用于音乐设计项目的分析,这是基于对构图解决方案的图像和语义分析的综合,可以用于设计师的设计,研究和教育活动。本研究的科学新颖性在于将新的经验材料引入流通,将项目构成形式的创造视为基于视觉和声音内容信息编码的表达手段相结合的交流系统的创造。研究表明,一般来说,通过表演者在创造其视觉等效物时所感知到的音乐形象暗示了设计师对其的解释。通过对现代设计师在网络上发布的作品的分析,证实了在承载音乐和艺术事件信息的视觉图像中,视觉和声音语境形成了一个结构统一体,成为一个独特的研究课题,有助于设计方法的发展和完善。在现代设计师段志华和罗西奥·加拉扎的作品中,有一种愿望,即在广泛的社会文化背景下,发展出一种易于阅读的艺术和表达元素的语义联系。
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