Exploring the Role of Emotion in the Design Cycle

Amic G. Ho
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Abstract

Scholars have focused on “design and emotion” for more than a decade. Various studies, models, and theories have been proposed and adopted to explore the relationship between design and emotion, and to explain how emotion can be applied in the design process. After the theories are categorised according to the respective focuses, three main components that influence or are influenced by emotion can be identified: designers, design outcome and users or consumers in the design cycle. Based on the relationships amongst these components, numerous similar terms categorised under emotion and design that have clear and concrete rationales and definitions have been developed. For instance, “emotionalised design” refers to design in which designers introduce their emotions into the design process. “Emotional design” is viewed as design that can stimulate users’ or consumers’ emotion. “Emotion design” is design in which emotional concerns are involved in the interactions between designers and users.However, few studies have focused on designers’ perceptions of these terms and of the role of emotion in design. By conducting an empirical study, we investigated designers’ perceptions of three terms, emotion design, emotional design, and emotionalised design, and explored designers’ experience regarding emotion and design.
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探索情感在设计周期中的作用
十多年来,学者们一直在关注“设计与情感”。人们提出并采用了各种研究、模型和理论来探索设计与情感之间的关系,并解释情感如何应用于设计过程。根据各自的重点对理论进行分类后,可以确定影响或受情感影响的三个主要组成部分:设计师,设计结果和设计周期中的用户或消费者。基于这些组件之间的关系,许多类似的术语被归类为情感和设计,它们具有明确而具体的原理和定义。例如,“情感化设计”指的是设计师将自己的情感引入设计过程的设计。“情感设计”被认为是能够激发用户或消费者情感的设计。“情感设计”是指在设计师和用户之间的互动中涉及情感关注的设计。然而,很少有研究关注设计师对这些术语的看法以及情感在设计中的作用。通过实证研究,我们调查了设计师对情感设计、情感设计和情感化设计三个术语的感知,并探讨了设计师在情感和设计方面的经验。
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