On the Demands of Truthfulness in Writing Personal Loss Narratives

C. Ellis
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引用次数: 10

Abstract

Abstract There's no doubt that [your] descriptions evoke detailed images, but I think it's the honesty of that voice that makes the reader listen in the first place. and I also think that it's an honesty of content and not just of tone, (personal letter from Mika Uematsu, July 5, 1995) He wrote me a wonderful letter… The crux of what he said was that I should never be afraid of appearing angry, small-minded, obtuse, mean, immoral, amoral or calculating. “Take no care for your dignity,” he said, and I have followed his advice scrupulously ever since. (From Mary Karr, author of The Liar's Club, writing about a letter from Tobias Wolff, author of This Boy's Life, quoted in Basbanes, 1995)
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论个人损失叙事写作的真实性要求
毫无疑问,(你的)描述唤起了详细的形象,但我认为,首先让读者倾听的是那种声音的诚实。我也认为这是一种内容上的诚实,而不仅仅是语气上的诚实。(植松美嘉的私人信件,1995年7月5日)他给我写了一封很棒的信……他所说的关键是,我永远不要害怕表现出愤怒、心胸狭窄、迟钝、卑鄙、不道德、不道德或精于算计。“不要在意你的尊严,”他说,从那以后,我就一直小心翼翼地听从他的劝告。(摘自《说谎者俱乐部》的作者玛丽·卡尔对《这个男孩的生活》的作者托拜厄斯·沃尔夫的一封信的评论,摘自1995年《巴斯巴尼斯》杂志)
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