Epilogue

Abstract

This chapter recounts how Chinese cinema developed rapidly in the new era and how filmmakers were able to denounce the brutality of the Gang of Four during the Cultural Revolution. It details the beginning of China's Fifth Generation cinema as the first postwar film movement in China to place Chinese cinema on the map of world cinema. It also discusses how the late 1970s brought major transformations in the regional film cultures and industries, such as the Hong Kong International Film Festival, which was launched at the City Hall in in June 1977. The chapter refers to The Man from Hong Kong as the Australian film industry's first attempt to collaborate with its Asian counterparts in the early 1970s. It explains how the entire Filipino film industry had to struggle with the Philippines's first lady, Imelda Marcos, and her ambitious project, the First Manila International Film Festival.