{"title":"The urgency of recovering contemplation. New Media Art and the transformation of nature into landscape","authors":"Helena Pires","doi":"10.7413/22818138167","DOIUrl":null,"url":null,"abstract":"Adam Basanta is the author of the installation named Landscape Past Future, exhibited at the gnration gallery in Braga, Portugal, between 23 October and 11 January 2020. This artistic project is based on images of works of art (landscape painting and photography) from the main institutional collections, publicly available, used to create new digital landscapes. Applying custom digital mosaic software, small data sets were placed and rearranged on a virtual screen to create a new aggregate image. Starting from this case, we intend to investigate how the landscape genre, remedied by the new media art, challenges us to reframe both nature and landscape ideas, in contemporary times. This article aims to discuss the role of new technologies as a medium that can help us to recover the exercise of contemplation, and to transform « nature » into « landscape », as an action of seeing and thinking, after all the first step to really act, with a sense of urgency, on our unsustainable habitat.","PeriodicalId":293955,"journal":{"name":"Im@go. A Journal of the Social Imaginary","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Im@go. A Journal of the Social Imaginary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7413/22818138167","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Adam Basanta is the author of the installation named Landscape Past Future, exhibited at the gnration gallery in Braga, Portugal, between 23 October and 11 January 2020. This artistic project is based on images of works of art (landscape painting and photography) from the main institutional collections, publicly available, used to create new digital landscapes. Applying custom digital mosaic software, small data sets were placed and rearranged on a virtual screen to create a new aggregate image. Starting from this case, we intend to investigate how the landscape genre, remedied by the new media art, challenges us to reframe both nature and landscape ideas, in contemporary times. This article aims to discuss the role of new technologies as a medium that can help us to recover the exercise of contemplation, and to transform « nature » into « landscape », as an action of seeing and thinking, after all the first step to really act, with a sense of urgency, on our unsustainable habitat.
Adam Basanta是名为“景观过去的未来”的装置的作者,该装置于2020年10月23日至1月11日在葡萄牙布拉加的gnation画廊展出。这个艺术项目是基于主要机构收藏的艺术作品(山水画和摄影)的图像,公开可用,用于创建新的数字景观。应用自定义数字马赛克软件,将小数据集放置并重新排列在虚拟屏幕上以创建新的聚合图像。从这个案例开始,我们打算探讨在新媒体艺术的帮助下,景观类型如何挑战我们在当代重新构建自然和景观观念。本文旨在讨论新技术作为一种媒介的作用,它可以帮助我们恢复沉思的练习,并将“自然”转化为“景观”,作为一种观察和思考的行动,毕竟这是真正采取行动的第一步,带着紧迫感,对我们不可持续的栖息地。