CONTRAST AS A FEATURE OF THE KARACHAY-BALKAR PROSE OF THE FIRST HALF OF THE XX CENTURY (ON THE EXAMPLE OF THE WORK OF S. KHOCHUEV)

U. Fatima T., T. HANNFA M.
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Abstract

The article is devoted to one of the stable parameters of the aesthetic thinking of the Karachai-Balkarian people - the desire for absolute statues of what is described in literary texts. Using the example of S. Khochuev's creativity, the process of axiological identification of the heroes of Karachai-Balkarian prose at the initial stage of its development is considered and a conclusion is drawn about the extremely stable nature of the modal definitions of national writers. This situation is explained by the obvious continuity: the standards of epic positioning of heroes of solar and chthonic origin in folklore remained in demand at the initial stages of the development of national literature, which developed during this period due to the understanding of problems of a class-ideological nature and needed systems of clear distinction and identification of heroes.
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对比作为二十世纪上半叶卡拉恰伊-巴尔卡尔散文的一个特征(以s. khochuev的作品为例)
这篇文章致力于研究卡拉恰伊-巴尔卡利亚人审美思维的一个稳定参数——对文学文本中所描述的绝对雕像的渴望。本文以S. Khochuev的创作为例,考察了卡拉恰伊-巴尔卡里亚散文在发展初期对英雄的价值认同过程,并得出民族作家情态定义极其稳定的结论。这种情况可以用明显的连续性来解释:在民族文学发展的初始阶段,由于对阶级意识形态性质问题的认识和对英雄明确区分和识别的系统的需要,民族文学在这一时期的发展仍然需要民间传说中太阳和民族起源英雄的史诗定位标准。
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