The Spirit of Sparta or the Taste of Xenophon

L. Strauss
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引用次数: 1

Abstract

The article which was published for the first and single time in 1939, is the starting point of Leo Strauss’ “esoteric” scholarship. While devoted to the investigation of Xenophon’s treatise called Constitution of the Lacedemonians the article, using it as an example, shows reasons, techniques, and the meaning of writing “between the lines”. Strauss sequentially shows how Xenophon hides his critique of the Spartan constitution behind the facade of an encomium. But what may be even more important, in the piece Strauss clearly tries to overcome the established 19th-century view that Xenophon was a mediocre and charged with laconophilia historian; he tries to reinstate Xenophon’s position as that of a serious thinker: a Socratic philosopher. He shows how meticulously Xenophon studies the Spartan constitution and that this apparently very successful and very stable regime, in fact, deserves serious politico-philosophic critique. Thereby he partially reveals the essence of classical political philosophy to careful readers.
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斯巴达的精神还是色诺芬的味道
这篇文章于1939年首次发表,是利奥·施特劳斯“深奥”学术研究的起点。虽然致力于研究色诺芬的论文《Lacedemonians的构成》,但这篇文章以它为例,展示了“字里行间”写作的原因、技巧和意义。施特劳斯依次展示了色诺芬是如何将他对斯巴达宪法的批判隐藏在赞美诗的表象之下的。但也许更重要的是,在这首曲子中,施特劳斯显然试图克服19世纪确立的观点,即色诺芬是一个平庸的、充满laconophon情结的历史学家;他试图恢复色诺芬作为一个严肃的思想家的地位:一个苏格拉底式的哲学家。他展示了色诺芬是如何细致地研究斯巴达的宪法,以及这个表面上非常成功和稳定的政权,实际上值得严肃的政治哲学批判。由此,他向细心的读者部分地揭示了古典政治哲学的精髓。
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