Literary Geography: A Research Paradigm of Time and Space

Linyu Chen, J. Meng
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Abstract

From the humanistic perspective, examining the “space” structure of literature and the “geographical” picture has become a possibility to expand the path of literary research. As a theoretical perspective, literary geography emphasizes the integration and interaction between literature and geography, and further explores the multiple cultural contexts behind literature and geography. Changes in climate and phenology in different regions can trigger the writer’s life consciousness and emotional cognition in many cases. Geography in literature is the eternal spiritual homeland in the soul of the writer. It is also the original driving force of creation. It encourages the writer to carry out the spiritual hometown consciously or unconsciously. This spiritual hometown is presented in the creative process and literary works. Therefore, geospatial is not only the natural environment for the writer’s creative style, but also the source of the writer’s “spiritual hometown”. The influence of geography and cultural traditions on a writer and even a group of writers is both potential and relatively stable.
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文学地理学:一种时空研究范式
从人文主义的视角审视文学的“空间”结构和“地理”图景,成为拓展文学研究路径的一种可能。文学地理学作为一种理论视角,强调文学与地理的融合与互动,并进一步探讨文学与地理背后的多元文化语境。不同地域的气候和物候变化,在很多情况下会触发作家的生命意识和情感认知。文学中的地理是作家心灵中永恒的精神家园。它也是创造的原始动力。它促使作家自觉不自觉地进行精神故乡的创作。这种精神故乡表现在创作过程和文学作品中。因此,地理空间既是作家创作风格的自然环境,也是作家“精神故乡”的源泉。地理和文化传统对一个作家乃至一个作家群体的影响既是潜在的,也是相对稳定的。
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