Apollo e le muse in un interno in Nea Paphos

E. Jastrzębowska
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Abstract

The article presents some archaeological observations informed by recent publica- tions on the ‘House of Aion’ at Nea Paphos. Its archaeological context (coins and pot- tery) dates the construction of this building to the second decade of the 4th century, its partial destruction and final annihilation by a series of earthquakes, to AD 332/342 and 365 respectively. The much-discussed mythological decorative mosaic in the larg- est hall of the House of Aion (triclinium) and the newly analyzed wall paintings in room 7 with figures of Apollo and muses are typical decorative elements of Roman elite houses and residences of Late Antiquity. And yet, the layout of the House and the presence of two rooms with a wooden floor laid over an earlier water cistern to convert it into a cellar, possibly a treasure vault, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the ‘House of Aion’ to the ‘Villa of Theseus’, rebuilt during the same period and converted into the prae- torium of the governor, suggests that the House could have been a seat of a Roman association, perhaps the seat of the synodos of Dionisiac artists of the theatre.
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这篇文章介绍了最近出版的关于内帕福斯“爱昂之家”的一些考古观察结果。它的考古背景(硬币和陶器)可以追溯到公元4世纪的第二个十年,它的部分破坏和一系列地震的最终毁灭,分别是公元332/342和365年。在爱昂之家(triclinium)最大的大厅里备受讨论的神话装饰马赛克,以及新分析的7号房间里阿波罗和缪斯雕像的壁画,都是古代晚期罗马精英住宅和住宅的典型装饰元素。然而,房子的布局和两个房间的存在,在一个早期的蓄水池上铺设了木地板,将其变成了一个地窖,可能是一个金库,这表明这个综合体的功能根本不是住宅。事实上,“爱昂之家”与“忒修斯别墅”的距离很近,在同一时期重建,并被改建为总督的大剧场,这表明这座房子可能是罗马协会的所在地,也许是酒神派剧院艺术家们的所在地。
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