PHONICS OF POETIC LANGUAGE IN THE ASPECT OF IDIOSTYLE RESEARCH

Abstract

Modern Ukrainian literary criticism defines phonics «as a sound organization of poetic language; poetic means that give melodiousness to the lyrical work enhance its emotionality and expressiveness. In a broad sense, phonics is a branch of literary studies (poetry) that highlights the aesthetic function of sounds in a literary text as certain sound integrity which analyzes and classifies them accordingly; in a narrow sense, phonics is the certain phonic properties of the work of a stylistic trend as well as the direction in the work of an individual author. As a section of phonetics, at the same time, phonics defines deviations from phonetic language norms, which have an aesthetic value» [1]. Literary and linguistic explorations of the study of the sound composition in poetic texts have formed a modern understanding of phonics as a separate branch of poetry and defined its means and basic functions. The study of the sound organization in a poetic language is expedient in the aspect of the idiostyle research. Increased phonemic frequency in poetic texts serves as a constructive component and determines the artistic and stylistic features of the work. Sound repetitions in poetic texts is an interesting aspect from the standpoint of studying both the author's reception and the reader's perception. After all, «repetition language system, which itself as at levels. The category of at the sound level is inherent and plays a special poetic movement spatial repetition (inversion) and universal law poetic work construction the basis of its style»[2].