Coda

S. Smith
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Abstract

Steiner was devastated by his son’s death. He was also now legally blind. But the ever-loyal Delmer Daves convinced Steiner to score his latest film—even though Max could not see it. The joy of composition revitalized Steiner, who would regain much of his sight via successful operations. More scoring projects followed; but by 1965, the 77-year-old was ailing and unable to find work. Steiner’s last years were ones of reluctant retirement, mentorship, and tribute—including a celebration of his work on the 1968 Academy Awards. This biography concludes with a summation of Steiner’s legacy. Not only is he the single most important figure in film music history, thanks to his pioneering development of the scoring process, his gift for intensifying emotion and character psychology through memorable themes, innovative orchestration, and other devices produced scores that remain essential components of many of the greatest films ever made.
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Coda
儿子的死使施泰纳悲痛欲绝。他现在也是法定盲人。但始终忠诚的德尔默·戴维斯说服了施泰纳为他的最新电影配乐——尽管马克斯没能看到。作曲的喜悦使施泰纳恢复了活力,他通过成功的手术恢复了大部分视力。更多的计分项目紧随其后;但到了1965年,这位77岁的老人病得很重,找不到工作。斯坦纳的最后几年是不情愿的退休,接受指导和致敬——包括庆祝他在1968年奥斯卡金像奖上的工作。这本传记最后总结了施泰纳的遗产。他不仅是电影音乐史上最重要的人物,而且由于他开创性地发展了配乐过程,他通过令人难忘的主题,创新的编曲和其他设备来强化情感和人物心理的天赋,这些配乐仍然是许多最伟大电影的重要组成部分。
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