Artistic meanderings through Coolitude

Danny Amos Flynn
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Abstract

Referencing two 19th-century identity photographs of Indian migrants named Beekano and Doorgana, taken from the research of historian Marina Carter at the Mauritian Archives, Flynn has produced artworks using the obsolete method of screen-printing to transform the portraits that originally were to aid an oppressive colonial regime focused on policing and immobilizing its immigrant labour. He has also involved the same two individuals in a fictionalized scene in which a surreal fantasy takes Beekano on a journey where he is stripped of his physical body and disappears to be released before any destination is arrived at.
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通过Coolitude的艺术漫步
参考毛里求斯档案馆历史学家Marina Carter研究的两张19世纪印度移民Beekano和Doorgana的身份照片,Flynn使用过时的丝网印刷方法制作了艺术品,改变了最初旨在帮助压迫性殖民政权的肖像,这些肖像专注于维持和固定其移民劳动力。他还把这两个人卷入了一个虚构的场景中,在这个场景中,一个超现实的幻想把Beekano带到了一段旅程中,在那里他被剥夺了他的身体,在到达任何目的地之前就消失了,被释放了。
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