One Tough Cookie: Exploring Black Women’s Responses to Empire’s Cookie Lyon

Melissa A. Click, Sarah Smith-Frigerio
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Abstract

The premier of Empire in January 2015 drew 9.8 million viewers and became FOX's highest-rated series debut in three years. In this episode, we are introduced to the terminally-ill CEO of Empire Entertainment, Lucious Lyon (Terrence Howard), who must decide which of his three sons will inherit the family business. To further complicate the decision, his ex-wife, Cookie (Taraji P. Henson), is released from prison after 17 years. The strength of the performances from the main cast, and those of celebrity guest stars, bolster the drama that unfolds, explaining why Empire was incredibly popular with audiences, and black audiences in particular. We examine the series's representations of blackness through focus group interviews with 31 black women viewers, exploring how they made sense of Cookie and compared her to black female leads on other series. Our interviews reveal that Cookie's complexities inspire identification and anxiety, engage broader debates about popular culture representations, and clarify black women's desires to see multifaceted images of themselves and their communities on television.
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一个坚强的饼干:探索黑人女性对帝国的饼干里昂的反应
《嘻哈帝国》在2015年1月首播吸引了980万观众,成为福克斯三年来收视率最高的剧集。在这一集中,我们将看到身患绝症的帝国娱乐公司首席执行官卢修斯·里昂(泰伦斯·霍华德饰),他必须决定自己的三个儿子中谁将继承家族企业。更复杂的是,他的前妻琦琦(塔拉吉·p·汉森饰)在服刑17年后出狱。主要演员和明星客串演员的出色表演支撑了剧情的展开,解释了为什么《嘻哈帝国》如此受观众欢迎,尤其是黑人观众。我们通过对31名黑人女性观众的焦点小组访谈来研究这部剧对黑人的表现,探讨她们是如何理解琦琦的,并将她与其他电视剧中的黑人女性主角进行比较。我们的采访显示,Cookie的复杂性激发了认同和焦虑,引发了关于流行文化表现的更广泛的辩论,并阐明了黑人女性在电视上看到自己和社区的多面形象的愿望。
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