‘Bottom’

R. Colls
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Abstract

Chapter 3 explores the violent world of prize-fighting in London and New York. It starts with a fight in a field in Hampshire in 1860. A lot of people have come down on the train from London to see a young Irish American hard man called John Heenan take on the considerably older, and smaller, English champion Tom Sayers. The fight is serious, not fraudulent, but ends in farce, paving the way for a sport already in decline to be over and done with by the end of the century. The chapter spreads out from Sayers Heenan to take on the part prize-fighters played in a plebeian way of seeing the English in their history. The ‘Fancy’, so-called, saw themselves as keepers of the boxing constitution. The ‘Bloods’, so called, saw themselves as defenders of the country’s honour. No sport aroused as much popular excitement. Boxing was a literary subject too. It developed a way of speaking all of its own and, in essay and metaphor, fighters’ unique ability to fight fair (no knives) under rules while giving and taking no quarter (‘Bottom’) either in battle or the ring, were highly prized expressions of liberty. The chapter ends with the Queensberry Rules and the birth of modern boxing as a mainly Anglo-American affair, now performed in theatres not fields.
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第三章探讨了伦敦和纽约的职业拳击的暴力世界。故事始于1860年汉普郡的一场打斗。许多人从伦敦乘火车来观看一个名叫约翰·希南的年轻爱尔兰裔美国硬汉与年龄大得多、身材矮小得多的英国冠军汤姆·塞耶斯的比赛。这场比赛是严肃的,不是欺诈性的,但最终以闹剧告终,为一项已经衰落的运动在本世纪末结束铺平了道路。这一章从塞耶斯·希南展开,以平民的方式看待英国人的历史,来看待职业拳击手所扮演的角色。所谓的“幻想派”,认为自己是拳击章程的守护者。这些所谓的“热血战士”把自己看作是国家荣誉的捍卫者。没有一项运动能像它那样引起如此多的群众兴奋。拳击也是一个文学主题。它发展了一种表达自己的方式,在散文和隐喻中,战士们在战斗或拳击场上都能在规则下公平战斗(没有刀),同时不给也不取(“底”),这是对自由的高度珍视。这一章以《昆斯伯里规则》和现代拳击的诞生结束,现代拳击主要是英美人的运动,现在在剧院而不是在田野里进行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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