Aspects of Tempo and Rhythmic Elaboration in Hindustani Music: A Corpus Study

A. Srinivasamurthy, A. Holzapfel, K. Ganguli, Xavier Serra
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引用次数: 15

Abstract

This paper provides insights into aspects of tempo and rhythmic elaboration in Hindustani music, based on a study of a large corpus of recorded performances. Typical tempo developments and stress patterns within a metrical cycle are computed, which we refer to as tempo and rhythm patterns, respectively. Rhythm patterns are obtained by aggregating spectral features over metrical cycles. They reflect percussion patterns that are frequent in the corpus, and enable a discussion of the relation between such patterns and the underlying metrical framework, the taal. Tempo patterns, on the other hand, are computed using reference beat annotations. They document the dynamic development of tempo throughout a metrical cycle, and reveal insights into the flexibility of time in Hindustani music for the first time using quantitative methods on a large set of performances. Focusing on aspects of tempo and rhythm, we demonstrate the value of a computational methodology for the analysis of large music corpora by revealing the range of tempi used in performances, intra-cycle tempo dynamics and percussion accents at different positions of the taal cycle.
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印度斯坦音乐中节奏与节奏精雕细琢方面的语料库研究
本文基于对大量录制表演的研究,提供了对印度斯坦音乐节奏和节奏阐述方面的见解。在一个韵律循环中计算出典型的速度发展和重音模式,我们分别称之为速度模式和节奏模式。节奏模式是通过在韵律周期上聚合光谱特征获得的。它们反映了语料库中频繁出现的打击乐模式,并使我们能够讨论这些模式与潜在的格律框架之间的关系。另一方面,节奏模式是使用参考节拍注释计算的。他们记录了节奏在整个韵律循环中的动态发展,并首次使用大量表演的定量方法揭示了印度斯坦音乐中时间的灵活性。专注于节奏和节奏方面,我们通过揭示表演中使用的速度范围,周期内节奏动态和节拍周期不同位置的打击乐重音,展示了大型音乐语料库分析的计算方法的价值。
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