A Romantic Twentieth-century Welsh View of Polish Literature from 1800–1945

K. Rosiak, Sabine Heinz
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引用次数: 2

Abstract

The article analyses one of the rare introductory works of Polish literature for a Welsh audience, i.e. the book Bannau Llên Pwyl ‘Highlights of Polish Literature’ produced by the Welsh scholar Thomas Hudson-Williams in 1953. First of all, astonishment is expressed, that there are only very few such works given the long record of massive immigration of Poles to Wales. Secondly, the work itself is analysed regarding its contents. As a result, a highly subjective approach to the literary works of Polish literature with clear emphasis on Romanticism can be noticed. In addition, most of the works selected seem to focus on what the target audience would supposedly like best. Considering the presentation of nearly all Polish titles in Welsh and a complete lack of any references, as well as the invention of titles for selected lines of poems, the specific character of Poland’s literature is hidden rather than promoted. In addition, in case potential Welsh readers were further interested in Polish literature and would have liked to read more from it, he or she would have had tremendous difficulties in finding out what to look for and how to get hold of the poems and prose works in question. Therefore, what is called, ‘The Highlights of Polish literature’ and which promised to be a nice surprise and an urgently needed book at the time turned out to be disappointment. Consequently, the question is posed, whether discovering a culture in rather a second-hand manner accounts for the problems outlined. Moreover, considering the insufficiencies of this overview, a more objective, updated work aimed at featuring culture-specific aspects of Polish literature is demanded.
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从1800年到1945年,浪漫的二十世纪威尔士对波兰文学的看法
本文分析了为数不多的为威尔士读者介绍波兰文学的作品之一,即由威尔士学者托马斯·哈德森·威廉姆斯于1953年出版的《Bannau Llên Pwyl’波兰文学亮点》一书。首先,令人惊讶的是,在波兰人大量移民威尔士的长期记录中,这样的作品却很少。其次,对工作本身的内容进行了分析。因此,波兰文学作品的高度主观的方法,明确强调浪漫主义可以注意到。此外,大多数被选中的作品似乎都集中在目标受众最喜欢的东西上。考虑到几乎所有的波兰语标题都以威尔士语呈现,完全缺乏任何参考文献,以及为选定的诗歌行发明标题,波兰文学的具体特征被隐藏而不是被提升。此外,如果潜在的威尔士读者对波兰文学更感兴趣,想要读更多的波兰文学作品,他或她会遇到巨大的困难,不知道要找什么,也不知道如何得到有问题的诗歌和散文作品。因此,这本被称为“波兰文学的精华”的书,本应是一本惊喜,一本当时迫切需要的书,结果却令人失望。因此,问题就来了,以相当间接的方式发现一种文化是否能解释上述问题。此外,考虑到这一概述的不足之处,需要一个更客观、更新的工作,旨在突出波兰文学的特定文化方面。
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