When Rio Was Black: Soul Music, National Culture, and the Politics of Racial Comparison in 1970s Brazil

Paulina L. Alberto
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引用次数: 37

Abstract

Michigan for the fellowship that supported this work, and for the opportunity to present it. For their insightful contributions at different stages, I would like to thank Matthew Briones, Tamar Carroll, Sueann Caulfield, Fernando Coronil, Marie Cruz, Christopher Dunn, Dario Gaggio, Juan Hernández, Jesse Hoffnung-Garskof, Bryan McCann, Farina Mir, Gina Morantz-Sanchez, Ed Murphy, Deborah Poole, and Julie Skurski. I am indebted to two anonymous reviewers for the HAHR for their generous and careful comments.
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《当b里约热内卢是黑人:20世纪70年代巴西的灵魂音乐、民族文化和种族比较政治》
感谢密歇根大学支持这项工作的奖学金,并有机会展示它。对于他们在不同阶段的深刻贡献,我要感谢马修·布里奥内斯、塔玛尔·卡罗尔、苏安·考尔菲尔德、费尔南多·科罗尼尔、玛丽·克鲁兹、克里斯托弗·邓恩、达里奥·加吉奥、胡安Hernández、杰西·霍芬农-加斯科夫、布莱恩·麦肯、法里娜·米尔、吉娜·莫兰兹-桑切斯、埃德·墨菲、黛博拉·普尔和朱莉·斯库尔斯基。我要感谢HAHR的两位匿名审稿人,他们慷慨而仔细的评论。
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Blackness and Urban Popular Sectors in Buenos Aires (1895-1916): The Case of Zenón Rolón and Chin-Yonk Dilemas del perito experto: derechos indígenas a la tierra en Surinam y Guyana When Rio Was Black: Soul Music, National Culture, and the Politics of Racial Comparison in 1970s Brazil
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