Search for Self in Arthur Miller's The Death of a Salesman

N. Maleki, N. Hooti
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引用次数: 1

Abstract

In spite of much research on Miller's The Death of a Salesman, no significant studies have been carried out on the aspect of ‘search for self’. This study re-justifies the need for a contingent model of the quest for identity, drawing ideas from the multiple manifestations of the threatening of self. It emphasizes the minimization of philosophical treatment and theorizing on self, on the grounds that the focus is on how Miller has dramatized the search for self among the different characters of the same family. The quest for self is expressed through a nostalgic yearning for the past, which has been lost due to various reasons. The process of search for self is spread over two generations, which enhances the effectiveness of Miller in depicting the struggle between the self of an individual and the public self the individual is compelled to put on as a mask. The dramatic strength of the play lies in the fact that it has interwoven the crisis of self in the life of the individuals and the broader changes taking place in the American society. Moreover, the study tries to display the intersection of psychological, social and emotional factors to which an individual self is subjected. Keywords: search, self, identity, literature, them-quest
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在阿瑟·米勒的《推销员之死》中寻找自我
尽管对米勒的《推销员之死》进行了大量的研究,但在“寻找自我”这一方面还没有进行有意义的研究。这项研究从自我威胁的多种表现形式中汲取灵感,重新证明了对身份追求的偶然模型的必要性。它强调最小化对自我的哲学处理和理论化,因为它关注的是米勒如何戏剧化地在同一个家庭的不同人物之间寻找自我。对自我的追求是通过对过去的怀念来表达的,由于各种原因,过去已经失去了。寻找自我的过程持续了两代人,这增强了米勒描绘个人自我与个人被迫戴上面具的公众自我之间斗争的有效性。该剧的戏剧力量在于它将个人生活中的自我危机与美国社会正在发生的更广泛的变化交织在一起。此外,该研究试图展示个体自我所受的心理、社会和情感因素的交集。关键词:搜索,自我,身份,文学,自我探索
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