Ambient Sound for a Historical Scene: Case study of Thai Lanna

Sorawit Piyawat, Banphot Nobeaw, S. Wicha, R. Chaisricharoen
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Abstract

The ambient sound is applied in the films industry for many decades; it aims to increase the realistic atmosphere in the films, especially in the historical documentary films. The historical documentary films are also employed distinction ambient sounds to simulate the ancient atmospheres in which do not exist in the current time. This type of sound is one of very important factors in the film industry production because it helps to create the visual imagination. However, the Thai film industry has borrowed the ambient sound from the international sound effects which are ready-made sounds in a sound library. The way of sound borrowing is caused to the low sound quality in the film because it lacks of many sound components which are necessary to construct the identities of a realistic local sets, and a recording situation of an actual environment. It, moreover, causes easily noise in the sound quality. Therefore, the author would like to propose a new framework of the ambient sound design, to create an ancient sound ambient for the film scenes through a synthesis process of sound design. By framing the ambient sound design concept, this paper focuses on the Thai north documentary film, Ancient Lanna Kingdom.
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历史场景的环境声:泰国兰娜的案例研究
环境声在电影工业中应用了几十年;它的目的是增加电影的现实气氛,特别是在历史纪录片中。历史纪录片也采用区别环境声来模拟当下不存在的古代氛围。这种类型的声音是电影工业制作中非常重要的因素之一,因为它有助于创造视觉想象力。然而,泰国电影工业从国际音效中借用了环境音效,即声音库中的现成声音。这种借用声音的方式导致影片的音质不高,因为它缺乏许多声音成分,而这些声音成分是构建一个真实的局部场景的身份所必需的,也是一个真实环境的记录情况。而且,在音质上容易造成噪音。因此,笔者想提出一种新的环境声音设计框架,通过声音设计的合成过程,为电影场景创造一种古老的声音环境。本文以泰国北部纪录片《古兰纳王国》为研究对象,通过构建环境声设计理念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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