Mikhail Larionov's Still Life with Crayfish

Sonya Bekkerman
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Abstract

Mikhail Larionov9s Still-Life with Crayfish is a result of the artist sintense engagement with Russian folk art traditions. In attempting to liberate Russian art from the influence of the West, Larionov discovered new formal languages by looking to his heritage and bringing into his paintings images derived from icons, lubki (popular prints) as well as painted shop signs and children sart. Although Larionov did not spearhead the Russian crafts revival, his participation became critical for its dissemination. Still-Life with Crayfish exemplifies Larionov9s insistence on russifying Western forms. The lessons of Czanne and the bold experiments of the Fauves figure prominently; however, the artist9s conception of line, depth and color is a clear reference to lubki . The strident palette reflects Eastern influences, and the feast itself conveys an essentially Russian character. Larionov spassionate interest in creating new art forms inclined him to draw upon a diversity of sources. His admiration for the stability and timelessness of Russian peasant culture, life and art played a critical role in developing his oeuvre and allowed him to create a distinctive style independent of the West without wholly rejecting it.
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米哈伊尔·拉里诺夫的《小龙虾静物》
米哈伊尔·拉里奥诺夫的《小龙虾静物》是这位艺术家与俄罗斯民间艺术传统密切接触的结果。在试图将俄罗斯艺术从西方的影响中解放出来的过程中,Larionov通过寻找他的遗产,并将他的绘画图像从图标,lubki(流行版画)以及绘制的商店招牌和儿童肖像中提取出来,发现了新的形式语言。虽然拉里奥诺夫并不是俄罗斯工艺复兴的先锋,但他的参与对其传播至关重要。《静物与小龙虾》体现了拉里尼奥夫对俄罗斯化西方形式的坚持。琴的教训和野兽派大胆的实验是突出的;然而,艺术家的线条,深度和颜色的概念是一个明确的参考卢布基。刺耳的调色板反映了东方的影响,盛宴本身传达了一种本质上的俄罗斯特色。拉里奥诺夫对创造新艺术形式的热情使他倾向于利用各种来源。他对俄罗斯农民文化、生活和艺术的稳定和永恒的钦佩在他的作品发展中发挥了关键作用,使他能够创造一种独立于西方的独特风格,而不是完全拒绝它。
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