Sulla storia della fotografia attorno al 1868

Carlo Montanaro
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Abstract

Photography in Venice around 1868 was going through a period of great vitality. Mapping the main photographic studios, located mainly around St. Mark Square, includes indeed about a hundred operators who create images in various formats, from the large ‘imperial’ to the small ‘visiting cards’ with all the suggestions allowed by the existing techniques, from monochrome imbibitions to printing on pre-colored paper to the romantic ‘moonlight’ effect. From Antonio Perini to Carlo Ponti to Carlo Naya, these professionals trace a new path to the creation of images, inventing new tools and leaving evidence of fascinating views of the city of Venice, such as the one that portrays the R. Scuola Superiore di Commercio.
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关于1868年左右的摄影历史
1868年前后,威尼斯的摄影经历了一段极具活力的时期。主要的摄影工作室,主要位于圣马可广场附近,包括大约100名操作员,他们制作各种格式的图像,从大的“帝国”到小的“名片”,所有现有技术允许的建议,从单色到彩色纸张印刷,再到浪漫的“月光”效果。从Antonio Perini到Carlo Ponti再到Carlo Naya,这些专业人士开辟了一条新的图像创作之路,发明了新的工具,并留下了威尼斯城市迷人景色的证据,例如描绘R. Scuola Superiore di Commercio的照片。
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Elenco degli oggetti d’arte esposti nelle Sale della Società Veneta Promotrice durante l’anno 1868 La Gazzetta di Venezia (settembre-dicembre) Saluti istituzionali «Perle sull’azzurro del cielo mille volte contemplate sull’onda» Sulla storia della fotografia attorno al 1868
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