Long Poems about Everything: Dictionary as Subject and Model for Poem, 1974–2016

G. Goodland
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Abstract

This chapter discusses the use of dictionaries and books of reference as a motif and a formal device in American poetry, particularly in the avant-garde stream, from Zukofsky to the Language poets, with special reference to the work of Ron Silliman and Tina Darragh. It distinguishes long poems in the Whitman tradition, which attempt to comprehend the world in the form of lists and extended descriptions, often using alphabetical orderings or other kinds of organisation similar to dictionaries, and smaller works of visual poetry able to subvert the notion of definition in a dictionary.
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关于一切的长诗:以词典为主题和诗歌模式,1974-2016
本章讨论了词典和参考书作为美国诗歌的主题和正式手段的使用,特别是在先锋派诗歌中,从祖可夫斯基到语言诗人,特别提到了罗恩·西利曼和蒂娜·达拉赫的作品。它区分了惠特曼传统中的长诗,长诗试图以列表和扩展描述的形式理解世界,通常使用字母顺序或其他类似于字典的组织方式,而视觉诗歌的小作品则能够颠覆字典中定义的概念。
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Etymology and Elegy: Paul Muldoon’s ‘Yarrow’ and ‘Cuthbert and the Otters’ Briefer Mentions and Lyrical Lexicons: Marianne Moore’s Responses to Dictionaries in The Dial and Observations Long Poems about Everything: Dictionary as Subject and Model for Poem, 1974–2016 ‘When I feel inclined to read poetry I take down my Dictionary’: Poets and Dictionaries, Dictionaries and Poets ‘All Things are Words of Some Strange Tongue’: Dictionary Definition Form in Contemporary American Poetry
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