Machine Learning and Remix: Self-training Selectivity in Digital Art Practice

Eduardo Navas
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引用次数: 1

Abstract

In this essay, I focus on the emerging role of machine learning as an integral part of the elements of selectivity and remix in art and music. I first discuss how selectivity forms part of communication, to then consider its increasing importance in creativity. I then evaluate how machine learning is implemented by artists for the production of works in ways that revisit questions of authorship as an individual and collective practice in terms of metacreativity – a delegation of workmanship from humans to automation. In closing, emerging artificial intelligence’s agency is ref lected upon as the paradigm of metacreativity continues to be established.
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机器学习和混音:数字艺术实践中的自我训练选择性
在这篇文章中,我将重点关注机器学习作为艺术和音乐中选择性和混音元素的组成部分的新兴角色。我首先讨论选择性是如何构成交流的一部分,然后考虑它在创造力中日益重要的作用。然后,我评估了艺术家如何通过机器学习来制作作品,以元创造性的方式重新审视作者身份作为个人和集体实践的问题-从人类到自动化的工艺委托。最后,新兴的人工智能机构反映了元创造性范式的继续建立。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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The Disenchanted. Contending with Practice Based Research Undisziplinierte Disziplin Scherchens rotierender Nullstrahler (1959): »Idealer« Lautsprecher oder nur Effektgerät? Inhalt Machine Learning and Remix: Self-training Selectivity in Digital Art Practice
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