The Suez Crisis of 1956 and 1957 in West German Television News

Sigrun Lehnert
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Abstract

From the mid-1950s onwards, the number of television viewers in West Germany increased rapidly and television became the “window to the world” for many people. Through audio-visual reporting the people were informed so that they could feel save as they know what had happened in the world, especially in times of the Cold War. The Suez Crisis of 1956/1957 was one of the Cold War conflicts that television was able to report on continuously and thus demonstrate its advantages. The Suez Crisis has to be considered not only in the context of the larger, geopolitical conflict between East and West, but also in a decolonization context, and it affected the Federal Republic of Germany (FRG) in several ways. The daily newscast Tagesschau, and the weekly compilation Wochenspiegel was able to convey images from a distant region with high actuality. In the beginning, Tagesschau used material from the cinema newsreel and followed its style, but the news editors very soon developed their own strategies of modern reporting. This article outlines the style of West German television news in the 1950s as well as the routines and ways of reporting, which continue in news production today.
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1956年和1957年西德电视新闻中的苏伊士危机
从20世纪50年代中期开始,西德的电视观众数量迅速增加,电视成为许多人的“世界之窗”。通过视听报道,人们可以了解情况,使他们在了解世界上发生的事情时感到宽慰,特别是在冷战时期。1956年至1957年的苏伊士危机是电视能够持续报道的冷战冲突之一,从而展示了它的优势。苏伊士危机不仅要在东西方之间更大的地缘政治冲突的背景下考虑,而且要在非殖民化的背景下考虑,它在几个方面影响了德意志联邦共和国(FRG)。每日新闻广播Tagesschau和每周汇编Wochenspiegel能够以高现实性传达来自遥远地区的图像。起初,Tagesschau使用电影新闻片的材料并遵循其风格,但新闻编辑很快就形成了自己的现代报道策略。本文概述了20世纪50年代西德电视新闻的风格,以及在今天的新闻生产中继续沿用的报道程序和方法。
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