“Valuation Adjustment Mechanism” in the Film Capitalization —A Case Study of the Movie “Lost in Russia”

M. Chen
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Abstract

During the current investment boom, any Intellectual Property, especially of film, is one of the long-lasting destinations that capital pursues. As a result, the new model in the film capitalization, a high-priced bet agreement between the producer and the distributor, appeared in the capital market. This model exists some characteristics as high valuation and high risk, once encountered force majeure; they will make the whole film capital market vulnerable. This paper takes “Lost in Russia” as an example, through the analysis of VAM in the process of film capitalization, further explores the operability and risk of film capitalization.
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电影资本化中的“价值调整机制”——以电影《迷失俄罗斯》为例
在当前的投资热潮中,任何知识产权,尤其是电影,都是资本追求的长期目标之一。于是,在资本市场上出现了电影资本化的新模式,即制片方与发行方之间的高价押注协议。该模型存在估值高、风险大的特点,一旦遇到不可抗力;它们将使整个电影资本市场变得脆弱。本文以《迷失俄罗斯》为例,通过对电影资本化过程中VAM的分析,进一步探讨电影资本化的可操作性和风险。
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