ALTAI IN RUSSIAN FEATURE FILMS OF THE 1920s - 1940s

I. Shestakova
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Abstract

The article traces the historical dynamics of the «Altai feature film text». The author uses the concepts of «geoculture», «geopoetics», «geopolitics», proposed by V. Abashev, D. Zamyatin. The issues of the formation of film production in Siberia, the evolution of the Altai cinema image, the formation of symbolic dominants in feature films made in the 1920s and 1940s are considered. The interrelation of the geocultural paradigm with the political and social events in Russia of this time is shown.
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20世纪20年代至40年代俄罗斯故事片中的阿尔泰
文章追溯了“阿尔泰故事片文本”的历史动态。作者使用了V. Abashev、D. Zamyatin提出的“地缘文化”、“地缘政治学”、“地缘政治学”等概念。考察了西伯利亚电影制作的形成、阿尔泰电影形象的演变、20世纪20年代和40年代故事片中象征主体的形成等问题。展示了地缘文化范式与这一时期俄罗斯政治和社会事件的相互关系。
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