Many Comic Book Ramayanas

Karline Mclain
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Abstract

This chapter focuses on the multivocal nature of the Ramayana epic in Indian graphic narratives from the 1970s to the present. There are two dominant narrative trends that arise in these graphic retellings. The first trend is to uphold Rama as the ideal god-king by presenting Rama as the clear hero of the epic story both textually and visually. The second trend is to critique Rama as the ideal god-king by focusing the textual and visual narrative on other protagonists within the epic storyline, and thereby engage in a critical examination of Rama through feminist and/or subaltern perspectives. This essay sheds light on the contested interpretation of the god Rama within contemporary Hinduism and South Asian culture more broadly. These comics that idealize Rama and those that question his idealism, when taken together, are valuable for their ongoing contributions to the multivocal nature of the Ramayana story.
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很多《罗摩衍那》漫画书
本章重点讨论了20世纪70年代至今印度图形叙事中罗摩衍那史诗的多声性。在这些图形复述中出现了两种主要的叙事趋势。第一个趋势是通过在文本和视觉上将Rama呈现为史诗故事中明确的英雄,将Rama视为理想的神王。第二种趋势是通过将文本和视觉叙事集中在史诗故事情节中的其他主角上,来批判罗摩作为理想的神王,从而通过女权主义和/或次等视角对罗摩进行批判性考察。这篇文章更广泛地揭示了当代印度教和南亚文化中对罗摩神有争议的解释。这些将罗摩理想化的漫画和那些质疑他理想主义的漫画放在一起,对罗摩衍那故事的多声音本质的持续贡献是有价值的。
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