ON THE QUESTION OF THE RELATIONSHIP BETWEEN THE THEORY OF CIRCULAR MOTION, CHIAROSCURO AND THE THEORY OF VISION BY LEONARDO DA VINCI

Lyudmila Yu. Limanskaya
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Abstract

The article deals with some aspects of the theory of vision, the theory of circular motion by Leonardo da Vinci. He believed that visible objects emit infinitely many rays, each ray carries information to all points in the atmosphere. The perceiving eye, moving, not only sees the world, but feels it, and is a part of it. He compared the spherical rotation of the eye with similar rotational functions of the body. The possibilities of rotations as universal forms of movement of the body and eyes, and as the basis of the eternal mechanics of the universe, were studied in detail by Leonardo, using the example of anatomical experiments, kinetics and optics. He used observations in the field of anatomy and biomechanics for his engineering inventions and pictorial compositions. The article also considers little-studied drawings from the Huygens Code, on the topic of circular motion and changes in the proportions of the human body, which researchers associate with unknown drawings by Leonardo.
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论列奥纳多·达·芬奇的圆周运动理论、明暗对比理论与视觉理论的关系问题
本文论述了列奥纳多·达·芬奇的视觉理论,即圆周运动理论。他相信可见的物体发射出无限多的射线,每条射线都将信息传递到大气中的所有点。运动着的感知之眼不仅看到世界,而且感觉到世界,并且是世界的一部分。他将眼睛的球形旋转与身体的类似旋转功能进行了比较。列奥纳多以解剖实验、动力学和光学为例,详细研究了旋转作为身体和眼睛运动的普遍形式的可能性,以及作为宇宙永恒力学的基础。他在他的工程发明和绘画作品中使用了解剖学和生物力学领域的观察结果。这篇文章还考虑了《惠更斯密码》中关于圆周运动和人体比例变化的研究较少的画作,研究人员将其与莱昂纳多的未知画作联系起来。
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