From Pasolini to Moro: Notes on two unburied corpses and Italian cinema

A. Mirizio
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Abstract

This text sets out to present the cinematic representation of Pier Paolo Pasolini and Aldo Moro from the idea of the “unburied corpse”. I propose here that, due to the circumstances of their deaths, the lifeless bodies of the filmmaker and the politician do not endorse their public identity but rather overflow and unfold it. Their corpses configured an identity of ordinary man that replaced the image of the public man in the Italian collective imagination and contended to the public character the space of representation. The text recovers some proposals of The Moro Affair (L’affaire Moro, Leonardo Sciascia, 1978) to reconstruct the links between these two protagonists of the intellectual and political life of the Years of Lead. I also analyze the way in which Italian cinema has attempted to interpret the split figures of Moro and Pasolini and their unburied corpses.
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《从帕索里尼到摩罗:两具未埋葬的尸体与意大利电影》
本文从“未埋葬的尸体”的概念出发,提出了Pier Paolo Pasolini和Aldo Moro的电影表现。我在这里提出,由于他们死亡的环境,电影制作人和政治家的无生命的身体不支持他们的公共身份,而是溢出和展开它。他们的尸体构成了一个普通人的身份,取代了意大利集体想象中的公众人物形象,并向公众人物争夺了再现的空间。本文恢复了《摩罗事件》(L 'affaire Moro, Leonardo Sciascia, 1978)的一些建议,以重建铅时代知识分子和政治生活中这两位主角之间的联系。我还分析了意大利电影试图解释莫罗和帕索里尼的分裂人物以及他们未被埋葬的尸体的方式。
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