To the 100th anniversary of Irina Antonova

Irina V. Bakanova
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Abstract

Pushkin Museum was often ahead of its time, laying the groundwork for major changes. For example, with the opening of the Museum of Private Collections as part of the State Museum of Fine Arts, the rehabilitation of private collecting in the country took place. The December Nights festival created by Irina Antonova in collaboration with the brilliant pianist Svyatoslav Richter in 1981 became a matrix of art festivals that took place in various museums of the country during the following decades. The Pushkin State Museum of Fine Arts was charged with promoting Western art in the USSR, of which it brilliantly took the advantage when started displaying works by Picasso, Matisse, Leonardo da Vinci’s Mona Lisa, masterpieces of drawing from the Albertina Museum in Vienna, Western European and American paintings from American museums and others famous exhibitions. This is the visible part of Irina Antonova’s dynamic activity. She approached academic work no less thoroughly, as well as the organization of study and cataloguing of the collection of the State Museum of Fine Arts. And, of course, much credit must go to Irina Antonova for preparing the program for the development and reconstruction of the Pushkin Museum, which has been repeatedly revised and is being finalized before our very eyes under the direction of Marina Loshak.
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为伊琳娜·安东诺娃诞辰100周年干杯
普希金博物馆经常走在时代的前面,为重大变革奠定了基础。例如,随着作为国家美术博物馆一部分的私人收藏博物馆的开放,在该国恢复了私人收藏。1981年,伊琳娜·安东诺娃与杰出的钢琴家斯维亚托斯拉夫·里希特(Svyatoslav Richter)合作举办了“十二月之夜”艺术节,在接下来的几十年里,它成为了在俄罗斯各个博物馆举办的艺术节的典范。普希金国家美术博物馆负责在苏联推广西方艺术,它出色地利用了这一优势,开始展出毕加索、马蒂斯、达芬奇的《蒙娜丽莎》的作品,维也纳阿尔贝蒂娜博物馆的绘画杰作,美国博物馆的西欧和美国绘画以及其他著名展览。这是Irina Antonova动态活动的可见部分。她对待学术工作的态度也毫不逊色,对国家美术博物馆藏品的研究组织和编目也是如此。当然,很大程度上要归功于伊琳娜·安东诺娃,她为普希金博物馆的发展和重建计划做了准备,在玛丽娜·洛沙克的指导下,这个计划经过多次修改,正在我们眼前完成。
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