Cherry Pie Wrapped in Barbed Wire: Fire Walk With Me as a Horror Movie

Lindsay Hallam
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Abstract

This chapter discusses Twin Peaks and its engagement with and subversion of genre conventions. It discloses how the Twin Peaks television series is viewed as a work of postmodernism and a pastiche of several genres that provide references to film noir, which gives the series a cinematic feel. It also points out that the Twin Peaks series parodied television genre conventions, while David Lynch's Twin Peaks: Fire Walk With Me is less interested in parody and pastiche and presents a more personal and subjective story. The chapter examines how Fire Walk With Me reveals more of the strange and unearthly realm that exists side-by-side with the town where larger forces of good and evil fight to gain control of Laura's soul. It describes the strong sense of the supernatural in Fire Walk With Me; an element that situates the film in the horror genre through the creation of mythical and mystical spaces.
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包裹在铁丝网里的樱桃派:像恐怖电影一样与我同行
这一章讨论了《双峰》及其对类型传统的参与和颠覆。它揭示了《双峰》电视剧是如何被视为后现代主义的作品,是几种类型的混合体,这些类型提供了黑色电影的参考,这给了这部电视剧一种电影的感觉。它还指出,《双峰》系列模仿了电视类型惯例,而大卫·林奇的《双峰:与我同行》对模仿和模仿不那么感兴趣,而是呈现了一个更个人化和主观的故事。这一章探讨了火与我同行如何揭示了更多与城镇并存的奇怪和非尘世的领域,在那里,更大的善良和邪恶的力量为控制劳拉的灵魂而斗争。它描述了《火与我同行》中强烈的超自然意识;通过创造神话和神秘的空间,将电影定位于恐怖类型的元素。
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Cherry Pie Wrapped in Barbed Wire: The Entire Mystery: It Follows Conclusion: ‘Since I was Twelve’:
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