{"title":"Au-delà des « vagues » #moiaussi : cinq ans de mobilisation féministe en musique au Québec (2017–2022)","authors":"Vanessa Blais-Tremblay, Lysandre Champagne","doi":"10.7202/1096479ar","DOIUrl":null,"url":null,"abstract":"Th is article pro fi les fi ve organizations that have been advocating for equity in Que-bec music since 2017 : MTL Women in Music, Femmes* en Musique, Lotus collective MTL Coop, shesaid.so MTL and D!G Di ff érences et inégalités de genre dans la musique au Québec. In line with a long tradition of critical work in feminist his-toriography, the authors fi rst account for the diversity of feminist mobilizations in Quebec music beyond the # metoo “waves” which have received signi fi cant media attention over the past fi ve years ( 2017 – 2022 ). In the second part, the authors detail the development of the D!G network, a feminist collaborative research partnership launched in April 2021 by Vanessa Blais-Tremblay, and its contributions to both Quebec’s music industry and to feminist partnership research epistemologies and methodologies.","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Intersections: Canadian Journal of Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1096479ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Th is article pro fi les fi ve organizations that have been advocating for equity in Que-bec music since 2017 : MTL Women in Music, Femmes* en Musique, Lotus collective MTL Coop, shesaid.so MTL and D!G Di ff érences et inégalités de genre dans la musique au Québec. In line with a long tradition of critical work in feminist his-toriography, the authors fi rst account for the diversity of feminist mobilizations in Quebec music beyond the # metoo “waves” which have received signi fi cant media attention over the past fi ve years ( 2017 – 2022 ). In the second part, the authors detail the development of the D!G network, a feminist collaborative research partnership launched in April 2021 by Vanessa Blais-Tremblay, and its contributions to both Quebec’s music industry and to feminist partnership research epistemologies and methodologies.