Developing Trends of Music in the Vedic and Mythological Eras

R. Pokharel
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Abstract

The Vedas are religious texts which inform the religion of Hinduism also known as Sanatan Dharma; meaning eternal order or eternal Path. The Vedic – mythological period is considered to be the golden era in the history of world literature. Not only did the philosophy of the age reach a new pinnacle; but even aspects of music, art, culture, literature, sculpture, religion, and spiritualism were extended to their highest point. Amongst these cultural instruments, Music represents vocal and instrumental sounds combined in such a way as to produce beauty of form, harmony and expression of emotions. During this era music – vocal and instrumental were held in high respect in society. Music had both ritual and secular aspects. Sāmaveda is considered as the root of Vedic music as well as the root of today's south Asian classical music. Sāmagāna was considered as the sound of inspiration for the people of that age. This paper attempts to discuss the musical situations in Vedic and Mythological periods regarding its origin, development, extension and practices in ancient south-eastern i.e. Hindu civilization. The paper also points out why the need and importance of Vedic music in present day society is much more; especially in regards to the adoption of lessons and ethics from Sanatan Hinduism.
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吠陀和神话时代音乐的发展趋势
吠陀经是宗教文本,它告知印度教的宗教,也被称为Sanatan Dharma;意思是永恒的秩序或永恒的道路。吠陀神话时期被认为是世界文学史上的黄金时代。不仅那个时代的哲学达到了一个新的顶峰;但即使是音乐、艺术、文化、文学、雕塑、宗教和唯灵论的各个方面也被扩展到了最高点。在这些文化乐器中,音乐代表了声乐和器乐的结合,以产生形式美、和谐和情感表达。在这个时代,声乐和器乐音乐在社会上受到高度尊重。音乐既有仪式的一面,也有世俗的一面。Sāmaveda被认为是吠陀音乐的根源,也是今天南亚古典音乐的根源。Sāmagāna被认为是那个时代人们的灵感之声。本文试图讨论吠陀和神话时期的音乐情况,以及它在古代东南即印度文明中的起源、发展、扩展和实践。本文还指出了为什么吠陀音乐在当今社会的需要和重要性越来越大;特别是在采用印度教的教义和道德方面。
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