Al-Shanshul eventionality in the architecture of the first decade of the 21st century

Zainab Huseen Ra’ouf, R. Mahdi, Enas Salim Abdulahhad
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Abstract

The paper studies the concept of Shanshul as an architectural concept rooted in the Islamic world and the countries of the East with two functional and aesthetic dimensions of equal importance which contributed to its formulation as an event, But a new techniques have emerged to try to create a new image that Western architectural experiences have adopted and moved on to local Arab architectural experiences, Research Problem emerged as a lack of clarity of the role of contemporary technologies in the introduction of a new image of the Shanshul as a multidimensional event, , and the research defined its methodology to reach its goal and ending with its conclusions. It highlighted the depth of the global and Arab experience, which tried to maintain the approximate balance of the aesthetic and functional dimensions, the research concluded the ability of the Shanshul to find the balance of functional and aesthetic dimensions by reverting to their founding principles and pushing them forward through contemporary materials in a unified and coherent structure. 
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21世纪头十年建筑的偶然性
本文将山书的概念作为一种植根于伊斯兰世界和东方国家的建筑概念进行了研究,并从功能和美学两个方面对其作为一个事件的形成做出了同等重要的贡献。但是,一种新的技术已经出现,试图创造一种西方建筑经验所采用的新形象,并将其转移到当地的阿拉伯建筑经验中。研究问题的出现是由于当代技术在将山书作为一个多维事件的新形象引入的过程中缺乏清晰的作用,研究定义了其方法以达到其目标并以其结论结束。它强调了全球和阿拉伯经验的深度,这些经验试图保持美学和功能维度的近似平衡,研究总结了Shanshul通过回归其创始原则并通过统一连贯的当代材料推动它们向前发展来找到功能和美学维度平衡的能力。
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