Agence, A Dynamic Film about (and with) Artificial Intelligence

Pietro Gagliano, Casey Blustein, Dave Oppenheim
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引用次数: 4

Abstract

Agence is a short “dynamic film” that uses AI to power a real-time story. It was co-produced by Transitional Forms and the National Film Board of Canada (NFB). It is available on VR, PC and mobile, but for the purposes of this paper, we will be talking about the VR version, since it most closely matches the director’s vision. The film is directed by Pietro Gagliano whose work on interactive stories has spanned many years and technologies. A few years ago he started Transitional Forms to combine real-time storytelling with artificial intelligence. The intention behind that process is twofold: First, we believe that entertainment will soon be driven by AI. And secondly, artificial intelligence is poised to be humanity’s greatest tool, and stories might be the best way to make sense of it. To this end, we believe that Agence is an innovative production with bold strides in immersion, interactivity and technology. The approaches taken in this film are novel and unique in their propositions, and may open the door to many new projects that may build upon them.
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《特工》,一部关于人工智能的动态电影
《代理》是一部利用人工智能为实时故事提供动力的“动态短片”。它是由过渡形式和加拿大国家电影局(NFB)联合制作的。它可以在VR, PC和手机上使用,但出于本文的目的,我们将讨论VR版本,因为它最符合导演的愿景。这部电影由彼得罗·加利亚诺执导,他在互动故事方面的工作跨越了许多年和技术。几年前,他创办了Transitional Forms公司,将实时讲故事与人工智能结合起来。这个过程背后的意图是双重的:首先,我们相信娱乐将很快由人工智能驱动。其次,人工智能有望成为人类最伟大的工具,而故事可能是理解它的最佳方式。为此,我们相信《代理》是一部在沉浸感、互动性和技术方面大胆迈进的创新作品。这部电影中采用的方法在其主张上是新颖和独特的,并且可能为许多可能以它们为基础的新项目打开大门。
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