Copying the Bossa Nova

K. Goldschmitt
{"title":"Copying the Bossa Nova","authors":"K. Goldschmitt","doi":"10.1093/oso/9780190923525.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter analyzes the initial proliferation of bossa nova in the United States and United Kingdom in the early 1960s, primarily as a jazz and dance fad. By using material culled from top English-language periodicals of the era, it traces the popularity of bossa nova in the United States from its adoption by jazz musicians in the early 1960s, the invention of a dance to accompany the musical trend, and the ultimate rejection of bossa nova by purists in the jazz press. It also shows how the style’s initial popularity was partially due to the divisive racial politics that had overtaken jazz in that era, allowing the Otherness of bossa nova to temporarily offer an alternative for jazz musicians and fans.","PeriodicalId":204809,"journal":{"name":"Bossa Mundo","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bossa Mundo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190923525.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This chapter analyzes the initial proliferation of bossa nova in the United States and United Kingdom in the early 1960s, primarily as a jazz and dance fad. By using material culled from top English-language periodicals of the era, it traces the popularity of bossa nova in the United States from its adoption by jazz musicians in the early 1960s, the invention of a dance to accompany the musical trend, and the ultimate rejection of bossa nova by purists in the jazz press. It also shows how the style’s initial popularity was partially due to the divisive racial politics that had overtaken jazz in that era, allowing the Otherness of bossa nova to temporarily offer an alternative for jazz musicians and fans.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
模仿巴萨诺瓦
本章分析了20世纪60年代初巴萨诺瓦在美国和英国的最初扩散,主要是作为一种爵士和舞蹈时尚。通过使用精选自当时顶级英文期刊的材料,本书追溯了波萨诺瓦在美国的流行,从20世纪60年代初爵士音乐家对其的采用,到伴随音乐潮流的舞蹈的发明,以及爵士媒体中纯粹主义者对波萨诺瓦的最终拒绝。它还展示了这种风格最初的流行是如何部分归因于那个时代超越爵士乐的分裂的种族政治,使得巴萨诺瓦的他者性暂时为爵士音乐家和歌迷提供了另一种选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Adult Contemporary Bossa Nova Constructing a New Music Industry From Fusion to Funk Copying the Bossa Nova Remixing Brazil
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1