The Asia Foundation’s Motion Picture Project

Sangjoon Lee
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Abstract

This chapter investigates how and to what extent the Asia Foundation (TAF) and its field agents covertly acted to construct an alliance of anticommunist motion picture producers in Asia. It explores how US government–led Cold War cultural policies influenced the Asian regional film industry in the 1950s. It also scrutinizes the ways TAF agents responded to the various needs of local film executives and negotiated with the constantly changing political, social, and cultural environments in the region during the project's early activities. The chapter reviews the origin of TAF, the Committee for a Free Asia (CFA), which is intended to advance US foreign policy interests in Asia. It discusses the CFA's core activities, which include the broadcasting of Radio Free Asia.
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亚洲基金会的电影项目
本章调查了亚洲基金会(TAF)及其实地代理人如何以及在多大程度上秘密行动,以在亚洲建立反共电影制片人联盟。它探讨了20世纪50年代美国政府主导的冷战文化政策是如何影响亚洲地区电影工业的。它还审查了TAF代理商在项目早期活动中对当地电影主管的各种需求作出反应的方式,以及在该地区不断变化的政治、社会和文化环境中进行谈判的方式。本章回顾了TAF的起源,即自由亚洲委员会(CFA),旨在推进美国在亚洲的外交政策利益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Epilogue Hong Kong, Hollywood, and the End of the Network Constructing the Anticommunist Producers’ Alliance The Rise and Demise of a Developmental State Studio Projecting Asian Cinema to the World
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