Beginning with Literature

Peggy Kamuf
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Abstract

This chapter reviews Derrida’s engagement with literature in The Death Penalty, Volume I. It explicates the notion of “the right to literature” and its relation to democracy (“No democracy without literature; no literature without democracy,” as Derrida has declared elsewhere). It works through Derrida’s reading of texts by Genet, Hugo, and Blanchot. It also recalls Derrida’s analysis in Given Time of the “absolute secret” of literature and includes a brief reading of Camus’s The Stranger.
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从文学开始
本章回顾了德里达在《死刑》第一卷中与文学的接触,并阐述了“文学权利”的概念及其与民主的关系(“没有文学就没有民主;没有民主就没有文学”,正如德里达在其他地方宣称的那样)。它通过德里达阅读热内、雨果和布朗肖的作品而起作用。它还回顾了德里达在《给定时间》中对文学“绝对秘密”的分析,并包括对加缪的《陌生人》的简短阅读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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2. ORWELL’S EXECUTION 3. IS JUSTICE BURNING? 4. THE SENTENCE IS THE STORY 5. PLAYING THE LAW Frontmatter
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