Untying the Knots of Love: The Qur'an, Love Poetry, and Akkad's The Message

Muhammad U. Faruque
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引用次数: 1

Abstract

Abstract:This essay argues that the universal message of the Qur'an is best captured through the concept of "love." The essay begins with a discussion of Moustapha Akkad's famous film The Message, which depicts the early history of Islam. It argues that while the film is highly successful in presenting the traditional accounts of early Islam, it is less so in areas of Islam's underlying teachings, especially regarding the religion's more mystical message expressed through the Qur'an and forms of Islamic spirituality such as Sufism. I contend that the love poetry of such influential spiritual figures as Rumi (d. 1273) and Hafez (d. 1390) articulates the Qur'anic message of love by connecting it to the ultimate realization of tawḥīd, which for these sages implies union with the Divine Beloved Whose presence permeates the cosmos. It is further argued that if tawḥīd is about the relationship between the One and the many, then talking about tawḥīd in terms of love allows one to shift the focus away from the dos and don'ts of the Shariah or theological hair-splitting to the plight of the human condition, which is often characterized by pain and suffering because people lack what they desire. The experience of true love enables the soul to purify itself and grow spiritually. This in turn paves the way for actualizing the soul's latent spiritual potentials that are necessary to realize ultimate happiness.
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摘要:本文认为,通过“爱”这个概念,可以最好地捕捉到《古兰经》的普遍信息。本文首先讨论穆斯塔法·阿卡德(Moustapha Akkad)的著名电影《讯息》(The Message),该片描绘了伊斯兰教的早期历史。它认为,虽然这部电影在呈现早期伊斯兰教的传统叙述方面非常成功,但在伊斯兰教的潜在教义方面却不那么成功,尤其是在通过古兰经和苏菲派等伊斯兰精神形式表达的更神秘的宗教信息方面。我认为,像鲁米(1273年)和哈菲兹(1390年)这样有影响力的精神人物的爱情诗,通过将其与tawḥīd的最终实现联系起来,清晰地表达了古兰经中关于爱的信息,对这些圣人来说,tawḥīd意味着与神圣的爱人的结合,他的存在渗透在宇宙中。如果tawḥīd是关于“一”与“多”之间的关系,那么从“爱”的角度来谈论tawḥīd,就可以将人们的注意力从伊斯兰教法或神学上的“做与不做”转移到人类状况的困境上,这种困境通常以痛苦和苦难为特征,因为人们缺乏他们想要的东西。真爱的体验使灵魂能够自我净化和精神上的成长。这反过来又为实现灵魂潜在的精神潜能铺平了道路,这是实现最终幸福所必需的。
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