{"title":"Zaczarowanie świata na przykładzie East side story Igora Grubića. Lekcja estetyki performatywności","authors":"Anna Dzierżyc-Horniak","doi":"10.5604/01.3001.0012.9859","DOIUrl":null,"url":null,"abstract":"In her The Transformative Power of Performance. A New Aesthetics Erika\nFischer-Lichte argues that everything which happens in a performance\ncan be described as a repeated enchanting of the world and transformation\nof all the participants of the event. The text is an attempt to consider\nthe videoinstallation East Side Story by Igor Grubić exactly from this\nperspective. It discusses key concept categories utilized by the German\ntheatre researcher, and at the same time undertakes an attempt to fit\nthem into the installation of the Chroatian artist. The analysis points out\nto the bodily co-presence of the actors and the viewers, the performative\nproduction of materiality of the performance and the way in which the\nperformance becomes an event. Questions were asked about a performance\nlive as opposed to a mediated performance.\n\n","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0012.9859","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In her The Transformative Power of Performance. A New Aesthetics Erika
Fischer-Lichte argues that everything which happens in a performance
can be described as a repeated enchanting of the world and transformation
of all the participants of the event. The text is an attempt to consider
the videoinstallation East Side Story by Igor Grubić exactly from this
perspective. It discusses key concept categories utilized by the German
theatre researcher, and at the same time undertakes an attempt to fit
them into the installation of the Chroatian artist. The analysis points out
to the bodily co-presence of the actors and the viewers, the performative
production of materiality of the performance and the way in which the
performance becomes an event. Questions were asked about a performance
live as opposed to a mediated performance.