“She had snatched their trophy”: “Lanval,” “Beowulf,” and the Weaver-cum-Warrior

M. McFarlane
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Abstract

How was masculinity defined, and for whom, in medieval English epic? Employing Marie de France’s “Lanval” and the anonymous “Beowulf ” as example cases, when examining the social role of gender rather than focus on sexuality as defined by genitalia, these poems flip the script. Wherein titular male-identifying characters swap social responsibilities with female-identifying foils; Beowulf and Lanval become “weaving” humans, while Lanval's lover and Grendel’s Mother take on the “weaponed” roles in order to protect the material existence of their communities. By examining these exchanges, as well as characters that embody the gender role that is expected of them, I argue that early medieval English epic consistently presented a vision of society where a critical part of maintaining healthy communities necessitated the inversion of gender roles. Faculty Sponsor: Elizabeth E. Tavares
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“她抢走了他们的战利品”:“兰瓦尔”、“贝奥武夫”和“织工兼战士”
在中世纪的英国史诗中,男性气概是如何定义的,又是为谁定义的?以玛丽·德·弗朗斯的《兰瓦尔》和匿名的《贝奥武夫》为例,当审视性别的社会角色,而不是关注由生殖器定义的性行为时,这些诗歌颠覆了剧本。其中,名义上的男性身份角色用女性身份的箔片交换了社会责任;贝奥武夫和兰瓦尔成为“编织”的人类,而兰瓦尔的情人和格伦德尔的母亲则扮演“武装”的角色,以保护他们社区的物质存在。通过研究这些交流,以及体现他们所期望的性别角色的角色,我认为,中世纪早期的英国史诗始终呈现出一种社会愿景,在这种愿景中,维持健康社区的关键部分需要性别角色的反转。教师赞助人:Elizabeth E. Tavares
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