Installation Art in Public Spaces as Socio-Spatial Framing of Place: Case Study Loominous River Installation Art (2022)

N. Sulaiman
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Abstract

As a means to revitalise sluggish cities, public and private investment agencies have taken a keen interest in public installation art. As place-making initiatives endeavour to attract valuable trained human talent to their cities, local governments and city councils have deemed art in public spaces indispensable. Installation art in public spaces is crucial for revitalising run-down areas of a city. By placing the individual's perception at the centre of the aesthetic experience, installation art has the potential to help people perceive the city in a different way. Through novel corporeal experiences, it is possible to introduce new narratives of the city. Moreover, such experiences are essential for creating memories and fostering a sense of belonging among the city's residents. The commissioning of installation art is a complex creative process involving multiple stakeholders and public funds. This exploratory essay seeks to examine the public commissioning of installation art as a means to instigate socio-spatial relationships framing a specific location. The primary case study is Loominous River (2022), one of the commission beneficiaries of Thinkcity and Cendana's Project Light in 2021. Through empirical observations of the production process from conception to completion, the author attempts to establish the relationship between installation art and place-making.
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公共空间中的装置艺术作为场所的社会空间框架——以《loo不祥河》装置艺术(2022)为例
作为振兴城市的一种手段,公共和私人投资机构对公共装置艺术产生了浓厚的兴趣。随着地方建设计划努力吸引有价值的训练有素的人才到他们的城市,地方政府和市议会认为公共空间中的艺术是不可或缺的。公共空间的装置艺术对于振兴城市的破败地区至关重要。通过将个人的感知置于审美体验的中心,装置艺术有可能帮助人们以不同的方式感知城市。通过新颖的身体体验,可以引入新的城市叙事。此外,这样的体验对于创造记忆和培养城市居民的归属感至关重要。装置艺术的委托是一个涉及多方利益相关者和公共资金的复杂创作过程。这篇探索性的文章试图研究装置艺术的公共委托,作为一种手段,煽动社会空间关系框架的特定位置。主要案例研究是lo不祥河(2022),它是Thinkcity和Cendana在2021年的项目Light的委托受益者之一。通过对装置艺术从构思到完成的生产过程的实证观察,笔者试图建立装置艺术与场所制作之间的关系。
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