Documentary films of the 1920s-1930s about the dynamics of the socio-cultural space of the Kazakh ASSR

D. Amanzholova
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Abstract

Documentary films about Kazakh ASSR have not yet been included in the systematic field of historical research of the early Soviet period. Meanwhile, this visual source is an important component of the analysis of Soviet ethnonational policy of the 1920s-1930s. Filmography at the initial stage of its formation captured the transition of Kazakh society from tradition to modernity, deep socio-economic and other transformations in the Kazakh ASSR. The silent and sound documentary chronicles, reports, more complex in composition and drama film documents stored in the funds of the Central State Archive of Film and Sound Recordings of the Republic of Kazakhstan are of undoubted value. Almost all the most significant transformations in the republic in the early Soviet period were captured by experienced directors and cameramen in such a way that they give a concrete and voluminous idea of the changes in the social structure of society, the formation of the national working class and ethno-political elite, the solution of the "women's issue", urbanization, economic specialization of the regions of the Kazakh ASSR, the introduction of new standards of professional activity and private practices, daily life and major political events. Of great interest are the films recorded by documentary filmmakers, dramaturgically and compositionally arranged in accordance with the main trends in the development of cinema, as well as the socio-cultural and ideological-political paradigm of the Soviet state. Along with the traditional archival and published written historical sources available to scientists, film documents serve to study and complex understanding of the essence, manifestations and results of nation-building in the 1920s and 1930s. The article considers examples of a number of documentaries of the greatest interest for understanding modernization shifts and ambivalent manifestations of the transformations of the era of industrialization, collectivization and cultural revolution in the Kazakh ASSR.
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20世纪20年代至30年代关于哈萨克斯坦ASSR社会文化空间动态的纪录片
关于哈萨克ASSR的纪录片还没有被纳入苏联早期历史研究的系统领域。同时,这一视觉来源也是分析20世纪20年代至30年代苏联民族政策的重要组成部分。在其形成的初始阶段,电影记录了哈萨克社会从传统到现代的转变,哈萨克ASSR中深刻的社会经济和其他变革。哈萨克斯坦共和国电影和录音中央国家档案馆保存的无声和有声记事、报告、更复杂的构图和戏剧电影文件无疑具有价值。苏联早期共和国几乎所有最重要的变革都被经验丰富的导演和摄影师捕捉到,他们以这样一种方式给出了社会社会结构变化的具体和大量的想法,民族工人阶级和民族政治精英的形成,“妇女问题”的解决,城市化,哈萨克斯坦ASSR地区的经济专业化,引入新的专业活动和私人实践标准,日常生活和重大政治事件。我们非常感兴趣的是纪录片制片人记录的电影,这些电影在戏剧和构图上都是根据电影发展的主要趋势以及苏维埃国家的社会文化和意识形态政治范式进行安排的。与传统的档案和已出版的书面历史资料一起,电影文献有助于研究和复杂地理解20世纪20年代和30年代国家建设的本质、表现形式和结果。本文考虑了一些纪录片的例子,这些纪录片对理解哈萨克斯坦苏维埃社会主义共和国工业化、集体化和文化大革命时代的现代化转变和矛盾表现最感兴趣。
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