Editorial Preface and Acknowledgments

D. D. Kosambi, Mohan Jha, B. Sahu, R. K. Chattopadhyaya, Sri Ashok Shettar, Sri Agni, Kumar Hota, Sri P K Basant, B. Chattopadhyaya
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Abstract

In explaining several choices that I have had to make in preparing this collection, as a compiler and editor, I would like first to refer to the fact that no complete and accurate list of Kosambi's writings—in the forms of essays, notes and reviews—exists. I started with the lists available in the volumes published in his memory, 1 which do include most writings, but, unfortunately, not all. I cannot therefore be sure whether I have been able to trace all his writings which needed to be considered for inclusion in the anthology. It is this uncertainty—and therefore the urge to utilize the opportunity to make the anthology comprehensive—which chas prompted me to put together in this collection all the writings which could be traced and copied. There are however exceptions, and they ought to be explained. Two collections of Kosambi's essays, Myth and Reality and Exasperating Essays: Exercises in Dialectical Method 2 appeared during his lifetime and are easily available. With the exception of " The Quality of Renunciation in Bhatrhari's Poetry' which was included in Exasperating Essays, no other essay from these collections figures in the present anthology. 'Quality' and sections from Kosambi's long introduction to Subhasitaratnakosa, 3 jointly edited by him and V.V. Gokhale, have been included here as extraordinary samples of writings of what Kosambi called the genre of literary criticism. 4 Despite the existence of a separate collection of his articles on numismatics, 5 'Scientific Numismatics' is likewise included here also for making the collection representative. When working on a theme, such as on gotra system or on the Bhaga-vad-Gita, Kosambi would produce several articles, including sometimes popular ones, which would deal with different aspects of the theme. Obviously, there would be repetitions of points earlier made and of sources used, but even in his popular writings and reviews, Kosambi never failed to make new points or offer suggestions which could be starting points for new kinds of research. Apart from the pressing need to gather and publish all of Kosambi's writings much of which remain beyond easy access, this is my justification for not try ing to be selective, 6 or to modify the lengths of the original versions. The arrangement of the articles in the volume is self-explanatory. It would have been pointless to arrange them in the strict chronological order of their publication. However, within each section some sort of chronological order has …
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编辑序言和致谢
作为一名编者和编辑,在解释我在准备这本合集时不得不做出的几个选择时,我首先要指出的是,没有一个完整而准确的科桑比作品清单——以散文、笔记和评论的形式——存在。我从为纪念他而出版的书中列出的清单开始,其中确实包括了大多数作品,但不幸的是,不是全部。因此,我不能确定我是否能够追踪到他所有需要考虑纳入选集的作品。正是这种不确定性——以及因此产生的利用这个机会使选集更加全面的冲动——促使我把所有可以追溯和复制的作品集中在一起。然而,也有例外,应该加以解释。科桑比的两本散文集《神话与现实》和《令人恼怒的散文集:辩证方法的练习2》出现在他生前,很容易获得。除了《恼怒随笔》中收录的《巴特拉里诗歌中的弃绝品质》,本文集中没有其他随笔。“质量”和Kosambi对Subhasitaratnakosa的长篇介绍中的部分章节,由他和V.V. Gokhale共同编辑,作为Kosambi所称的文学批评流派的杰出作品样本被包括在这里。尽管他关于钱币学的文章有一个单独的合集,但《科学钱币学》也被包括在这里,以使该合集具有代表性。当研究一个主题时,比如关于gotra系统或Bhaga-vad-Gita, Kosambi会写几篇文章,包括一些受欢迎的文章,这些文章会涉及主题的不同方面。显然,他会重复先前提出的观点和使用的资料,但即使在他的通俗著作和评论中,Kosambi也从未放弃提出新的观点或建议,这些观点或建议可能是新研究的起点。除了迫切需要收集和出版Kosambi的所有作品(其中大部分仍然难以访问)之外,这是我不试图进行选择性选择或修改原始版本长度的理由。这本书中文章的排列是不言自明的。把它们严格按照出版时间顺序排列是没有意义的。然而,在每一部分中都有某种时间顺序……
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