A Qualitatove Stidu of Artist Identity through Interviews with Artists in the Music Field

Hyun Jong Kim
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Abstract

Although the concept of art has long been discussed by philosophers and theorists, it has not been clearly defined and a variety of perspectives coexist today. Contemporarily, the borderline of art is becoming increasingly vague. The introduction of art created by animals or AI has triggered the need for a fundamental reconsideration of artist identity. This paper focuses on the origin of artist identity and the factors that affect it, through in-depth interviews with artists in the music field. Artist identity is formed by the inspiration received from art and shaped through the process of artistic “grinding” or creation. An artist subjectively sets “a boundary of perceived art”top of the identity salience hierarchy under the title “artist.” Next in the hierarchy sits the “art worker” as a functional being in the art field, and multi-identity is placed at the bottom. The main factors that affect artist identity are whether the artist’s intention resides in their art, changes in the sense of belonging, and feedback from colleagues in the same artistic field. Artist identity constitutes the essential factor in art and culture and often comes to closely relate to a nation’s foreign policy and economy. A study of artist identity and its discrepancies would further solidify our grasp of the true nature and meaning of art. It is also applicable in practical terms to fostering a more effective and efficient creative artistic environment.
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通过对音乐领域艺术家的访谈对艺术家身份的定性分析
虽然哲学家和理论家早就讨论过艺术的概念,但在今天,它并没有得到明确的定义,各种观点并存。当代,艺术的边界正变得越来越模糊。引入由动物或人工智能创作的艺术,引发了对艺术家身份的重新思考。本文通过对音乐界艺术家的深度访谈,探讨了艺术家身份的来源及其影响因素。艺术家的身份是艺术家从艺术中获得的灵感,通过艺术“打磨”或创作的过程而形成的。艺术家主观地将“感知艺术的边界”置于“艺术家”这个身份突出层次的顶端。其次是“艺术工作者”作为艺术领域的功能性存在,多重身份被置于最底层。影响艺术家身份认同的主要因素是艺术家的意图是否存在于自己的艺术中,归属感的变化,以及来自同一艺术领域同事的反馈。艺术家身份是艺术和文化的基本要素,往往与一个国家的外交政策和经济密切相关。对艺术家身份及其差异的研究将进一步巩固我们对艺术的真正本质和意义的把握。在实践中,它也适用于培养一个更有效和高效的创意艺术环境。
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