the implementation of digital audio workstation learning in digital music at art drama, dance, and musicstudy program of padang state university

Rian Hidayat, Syafwandi Syafwandi
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Abstract

This study aimed to determine, describe and analyze the facilities and infrastructure for Digital Music lectures at the Art, Drama, Dance and Music Study Program of UNP, the use of DAW as the primary medium for learning Digital Music at the Art, Drama, Dance and Music Study Program, Universitas Negeri Padang, and the implementation of digital audio workstations in the Digital Music lectures of the Art, Drama, Dance and Music Study Program, Universitas Negeri Padang. This type of research was descriptive qualitative research. The main instrument in this study was the researcher himself and assisted by supporting instruments such as stationery, camera, memory card /flash disk, and mobile phone. This study's data sources were lecturers and students of the Art, Drama, Dance and Music Study Program, Universitas Negeri Padang. The informants of this research are lecturers in Digital Music lectures at the the Art, Drama, Dance and Music Study Program, Universitas Negeri Padang. Data collection techniques were carried out using library research, observation, and interviews. The steps to analyze the data were data collection, data reduction, data presentation, and concluding. The results showed inadequate facilities and infrastructure for digital music lectures. The facilities and infrastructure only use computers and soundcards in digital music lectures. Meanwhile, the facilities needed in digital music lectures are computers, soundcards, mixers, microphones, and midi controllers. The Sibelius, Nuendo, and fruity loop software were used in this lecture. However, students still expect the provision of software from the lecturer without trying to download the software. The implementation of the classes for this course went well. It was following the RPS used by the lecturer in charge of digital music courses, so the material provided was well conveyed. However, in implementing a Digital Audio Workstation, many students could not operate it properly, whether operating Sibelius, Nuendo, or fruity loop. As music academics, students should at least master notation writing and music editing to have skills in work after graduating from college.
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数字音频工作站在巴东国立大学艺术戏剧、舞蹈和音乐学习课程中数字音乐学习的实施
本研究旨在确定、描述和分析UNP艺术、戏剧、舞蹈和音乐研究计划的数字音乐讲座的设施和基础设施,使用DAW作为艺术、戏剧、舞蹈和音乐研究计划中学习数字音乐的主要媒介,以及在巴东大学艺术、戏剧、舞蹈和音乐研究计划的数字音乐讲座中实施数字音频工作站。这种类型的研究是描述性质的研究。本次研究的主要工具是研究者本人,辅助工具有文具、相机、存储卡/闪存盘、手机等。本研究的资料来源为巴东奈杰里大学艺术、戏剧、舞蹈及音乐研究课程的讲师及学生。本研究的研究对象是巴东大学艺术、戏剧、舞蹈和音乐研究项目的数字音乐讲座讲师。数据收集技术采用图书馆研究、观察和访谈。数据分析的步骤是数据收集、数据简化、数据呈现和结论。结果显示,数字音乐讲座的设施和基础设施不足。数码音乐讲座的设备和基础设施只使用电脑和声卡。数码音乐讲座所需的设备有电脑、声卡、混音器、麦克风、midi控制器等。西贝柳斯,Nuendo和fruity loop软件在本讲座中使用。然而,学生仍然期望从讲师提供的软件,而不是试图下载软件。本课程课程实施顺利。它遵循了数字音乐课程讲师使用的RPS,所以所提供的材料传达得很好。然而,在实现数字音频工作站时,许多学生无法正确操作它,无论是操作西贝柳斯,Nuendo还是fruity loop。作为音乐学者,学生至少应该掌握乐谱写作和音乐编辑,以便在大学毕业后具备工作技能。
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