{"title":"Jump","authors":"Till Nowak","doi":"10.1145/1665208.1665227","DOIUrl":null,"url":null,"abstract":"The unusual production workflow of this music video is based on the power of improvisation. It uses a camera-mapping workflow to rebuild the modified parts of the real footage. Director and 3D professional Till Nowak sees improvisation as one key aspect of his work, so even for this heavily CG extended video there was no shot planning, no tracking markers, no blue screens, or any other preparations for the CG shots. During the video shooting, the focus was on the spontaneity of the moment. Later the CG shots were selected from a large amount of raw footage, and the 3D models were matched to still images of the footage with camera mapping. The efficiency, spontancity, and power in this underestimated workflow has been the central topic of Till Nowak's work for many years.","PeriodicalId":208839,"journal":{"name":"ACM SIGGRAPH ASIA 2009 Computer Animation Festival","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH ASIA 2009 Computer Animation Festival","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/1665208.1665227","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

The unusual production workflow of this music video is based on the power of improvisation. It uses a camera-mapping workflow to rebuild the modified parts of the real footage. Director and 3D professional Till Nowak sees improvisation as one key aspect of his work, so even for this heavily CG extended video there was no shot planning, no tracking markers, no blue screens, or any other preparations for the CG shots. During the video shooting, the focus was on the spontaneity of the moment. Later the CG shots were selected from a large amount of raw footage, and the 3D models were matched to still images of the footage with camera mapping. The efficiency, spontancity, and power in this underestimated workflow has been the central topic of Till Nowak's work for many years.
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这个音乐视频的不寻常的生产流程是基于即兴创作的力量。它使用摄像机映射工作流来重建真实镜头的修改部分。导演和3D专业人士Till Nowak认为即兴创作是他工作的一个关键方面,所以即使对于这个大量CG扩展的视频,也没有拍摄计划,没有跟踪标记,没有蓝屏,或者CG拍摄的任何其他准备工作。在视频拍摄过程中,重点是瞬间的自发性。然后从大量的原始素材中选择CG镜头,并通过相机映射将3D模型与素材的静态图像进行匹配。在这个被低估的工作流程中,效率、自发性和力量多年来一直是Till Nowak工作的中心主题。
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