About Antonio Rubino’s Viperetta: coming-of-age novel and “imagining machine”

Susanna Barsotti
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Abstract

Antonio Rubino’s novel Viperetta (1919) is the mature work of an author already known in the context of children’s literature mainly for his activity as an illustrator for some covers of “Il giornalino della Domenica” and drawings for Andersen’s fairy tales and as a contributor to the “Corriere dei Piccoli”. In this context, Viperettaimmediately presents itself as an editorial object of particular cultural-historical interest, both because of the specific relationship that Rubino establishes between the textual part and the body of the images, and because it is presented as a coming-ofage novel, with a female protagonist, which, fitting into the tradition of the marvelous journey to the moon, takes on the contours of a rite of passage, turning the protagonist into a fairy-tale child. The article purports to emphasize these aspects, trying to show how Viperetta bases on these two elements the distinctive features of its originality and narrative power, still alive after more than a hundred years.
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论安东尼奥·鲁比诺的《维佩雷塔》:成人小说与“想象机器”
安东尼奥·鲁比诺(Antonio Rubino)的小说《维佩雷塔》(Viperetta, 1919)是一位成熟的作家的作品,他在儿童文学领域已经出名,主要是因为他为《Il giornalino della Domenica》的一些封面画了插图,为安徒生童话画了插图,并为《Corriere dei Piccoli》撰稿。在这种背景下,《viperetta》立即将自己呈现为具有特殊文化历史意义的编辑对象,这既是因为鲁比诺在文本部分和图像身体之间建立的特殊关系,也是因为它是一部成长小说,主角是女性,符合奇妙的月球之旅的传统,呈现出成人仪式的轮廓,把主角变成一个童话故事中的孩子。本文旨在强调这两个方面,试图说明《维佩雷塔》是如何在这两个因素的基础上形成其独特性和叙事力量,并在一百多年后仍然存在。
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