Antonioni’s America

Jon E. Lewis
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Abstract

In January 1967 executives from MGM contracted with European New-Wave icon Michelangelo Antonioni to distribute his Palm d’Or-winning picture Blow-Up in the United States. With the commercial success of that picture, MGM entered into a second contract with Antonioni giving him carte blanche to make an American studio movie about the youth counterculture eventually titled, Zabriskie Point. This chapter evaluates the MGM-Antonioni interlude, emphasizing its historical importance as an early and fraught attempt at an American studio auteur picture revealing an industry on the verge of some very big changes.
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安东尼奥尼的美国
1967年1月,米高梅的高管们与欧洲新浪潮偶像米开朗基罗·安东尼奥尼签订合同,在美国发行他的金棕榈奖获奖影片《膨胀》。随着这部电影在商业上的成功,米高梅与安东尼奥尼签订了第二份合同,让他全权制作一部关于青年反主流文化的美国电影公司电影,最终名为《扎布里斯基点》(Zabriskie Point)。本章评估了米高梅和安东尼奥尼的插曲,强调了它的历史重要性,因为它是美国电影公司导演的早期尝试,揭示了一个即将发生重大变化的行业。
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